![]() Hammond organ is a static waveform after the initial attack transient, so no need for long samples. Although people have complained, it seems no-one has thought about the reasons behind what Yamaha have done.Īll the samples were taken with the leslie on tremolo or chorale so the speeds were constant between samples, which are quite short. OK for tremolo or chorale but no wind up/down. And the Mod Wheel simply fades between them. One sample of leslie chorale and one at leslie tremolo (well, multiple samples of each across the keyboard range or the tremolo speeds would vary from pedestrian to mickey mouse fast). The preset JS sounds are sampled Hammond - I know the people who did the sampling and programming. Nevermind, found the original thread: It was published by EasySounds They then released a new version, which relied on the DSP to switch rotary speeds, but as was completely wiped and rebooted, I don't know where to get it. Believe it or not, in a mix (ie not just the organ) you didn't even hear the difference obviously you could hear it playing *only* the organ. There was also a live organ pack that did a really good job available for Tyros/PSR-S/Genos, however it wasn't an actual slowdown or speedup of the rotary speakers it was literally sampled at low speed/high speed, and then you cross faded between the 2 samples using the mod wheel. And then I tell them if they *have* to have a fantastic Hammond sound, get a Korg Cx3, Hammond XK1 (& later), Nord Stage/Electro Soneg: correct! If any customer asks me, I *do* tell them that the weak point on the Genos is the Hammond sounds (the Pipe organs, on the other hand, are better than anyone else's). It is what it is for now and let's just freaking play! Giving Yamaha user feedback is all well and good. ![]() DUAL ROT BRIGHT and DUAL ROT WARM are my go-to's. I agree with Gary - the newer sim is not necessarily the better sim. On some registrations, I hear this high frequency swirling stuff that drives me nuts and I'm back to using the in-built Yamaha rotary sim. K and company didn't get the right musician feedback during development? Who knows? They have the math and engineering chops, for sure.Īs to Lester K (or G), yeah, I got one of them. YC is a whole 'nother bird and makes extensive use of modeling, not just sampling. (Without standing on your head.) Like many other voices, Montage/MODX organs are programmed and voiced differently than Genos/PSR organ voices. The Montage and MODX effect architecture does allow two insert effects per voice, so one can at least stack tube amp sim in front of rotary speaker simulation. Genos and other PSRs share the same B3 waveforms and rotary speaker algorithms as Montage and MODX. ![]() So, it's not like Yamaha isn't getting or hearing the comments. The YC, Montage and MODX forums are full of whinging. If the task was so easy, anybody could and would have done it by now. Modeling a rotary speaker is a little like rocket science. K was responsible for VL synthesis, VCM, Neve preamp simulation and more. ![]() For the YC61, Yamaha put the right people on the job - Toshifumi Kunimoto (Dr. Not that I want to defend Yamaha too much because I've been after them for years about better rotary speaker simulation. Just catching up on this thread and there are so many good comments. ![]()
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